The studio has a life of its own. (or maybe its Hoarknockle who adds his personal touch overnight?)
During the making of work, things get used and put down, often not touched again and left to stand where is came to rest. Work will sometimes move to another part of the studio and the table will be left as it was for some time. It becomes rather like an archeological dig...layers of things telling a story of something that took place, offering clues but nothing certain.
I'm back at the studio table and easel again, working on the portraits and another piece which has been commissioned for a couple as a memoir of their adventures. How does one really capture many and diverse experiences into one piece without making less of an important moment or diminishing the intensity?
This couple have been exploring the length and breadth of Canada, especially the great outdoors and far off and desolate places few human feet have walked. (which is why they often took a canoe... not many feet get to walk on water)
I'm considering painting elements like a canoe, a wolf, a fish and birds... many different elements and objects which will allude to their travels and experiences....and avoid making an image which might end up looking like a bad collage of holiday pictures.
Hoarknockle has been sent to find the ingredients for peyote infused tea. I'm hoping that a cup of that will bring on visions of what I need to do. The regular Earl Grey has not been of much use.
Ah!...I hear his well modulated footsteps, he aproaches! Hmmmm Tea!